I write about worlds that I have immersed myself in, most recently The Abraham Chronicles, which consists of Abraham’s Dance (completed), Abraham’s Dead, Hallelujah! (completed), and Once Known as Abraham (in progress), works of magical realism/autobiographical fiction that address social, political, philosophical, and cultural issues, specifically, the treatment of the “mentally ill,” placement of traumatized refugees from war-torn nations in American ghettos, the struggle to survive in an increasingly ecologically devastated world, and acceptance of the scientific paradigm as if it was the only legitimate perception of reality.
